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Steven J. Dines
Folk are talking with their eyes.
They’re saying
why a green hat on a
day for black, I don’t get it.
After the service, I
find myself bunkered in Margaret’s kitchenette behind tea cups and civilized
sandwiches; enough for an army.
She is out there surrounded by three generations of
Croll, the youngest of which are either spill-sprawled across the living room
floor or in high-speed orbit around her
Maggie’s daughter
appears at my elbow, tugs it roughly.
Her name is June but she’s more like December.
“I never knew mother liked
green,” she whispers.
“It’s her favourite
colour,” I say.
“Absolutely not.
I’d know if it was.
I mean, why
wouldn’t I know
that….” Her eyes finish and you would?
“Ask her yourself.”
“Oh, I will,” she
says.
“All this time I thought she hated
green—detested
it.
I’ve never seen her wear that colour before.
Have you?”
“Yes.”
The first time was
in 1954, in the back of my old Ford Popular 103E.
We laughed to tears at those knickers.
I said green, she swore emerald, and then we
removed them from the discussion.
Green was her favourite; it had not been his.
She would tell him it was her monthly visit just so
he would not check.
Such things, the small advances up his beachhead,
had got her through the nightmare years.
In the
The clock on the
mantelpiece tells me it’s three minutes until our rendezvous upstairs.
We joked earlier about synchronizing watches, but
this house has more than enough clocks to mark time’s passing.
Maybe she will bin a few once today is over.
The cups stand in
ranks upon the countertop.
I’d try pouring the tea but my hands are trembling
so much I’m sure I’d drop the pot.
I ask June to take command, which she does, though
rather frostily.
Then it is up the
stairs undercover of a bathroom break.
I slip inside their bedroom instead.
My palms feel like melted ice.
I’ve never been good at this kind of thing:
clandestine ops.
My brother, on the other hand…he knew what he was
doing and kept it secret for fifty years.
But I saw what he put under her make-up all those
times.
His stuff lies in
black plastic sacks on the floor.
I’d brush away a tear but in this case it is an
accurate summation of a man and his life.
It won’t be put on the street for collection Monday
morning, though: June wants everything.
The poor woman is drowning and she has chlorinated
water in her eyes.
But that’s how Margaret wanted it then and wants it
now.
“Summer doesn’t know
winter,” she once said to me.
“And it never should.”
I straighten
suddenly as two arms wrap themselves around me from behind.
I relax as they pull me back against a familiar
contoured form.
She asks how I am.
I say better.
She whispers
I have to get back.
I say of course.
Then I turn around and we’re into a spin like Fred
and Ginger in those movies we never used to watch in the dark.
We kiss.
She leaves.
I notice the photo
album lying open on the dresser.
She’s been looking back again.
I walk over.
There’s a black-and-white picture of Margaret and a
gaggle of youthful women, girls really, standing around a station in the old
munitions factory in Dagenham.
A couple of empty fruit crates lie at their feet,
while every girl has in her hand a banana or a hunk of cantaloupe or, in some
cases, both.
The smiles behind the fruit are wide and sugary.
I turn the page.
Through the protective plastic I can see her
handwriting on the back of the photograph:
I look awhile then
decide it’s best to close the book.
June could wander upstairs feeling rooms for echoes
of her father and stumble across it.
Summer mustn’t know.
I make my way back
downstairs.
Maggie’s in her armchair again, still wearing her green
hat and a suitably serene face behind the rising smoke of another cigarette.
She’s just asked one of the great-grandchildren to
look inside the refrigerator and take out the plate of sliced cantaloupe.
She asks would anyone else like some?
The folk, they shake their heads and talk with
their eyes.
But they don’t know; they will
never
know.
Maybe it is a day for
black, but I, for one, am finding it hard not to smile.